Darryl Maximilian Robinson Won A 2015 / 2016 Los Angeles Elate Season Ticket Holder Award Nomination for Best Actor for his performance as Ernest in Tad Mosel's "Impromptu"!
"Darryl Maximilian Robinson knows the ropes, both onstage and Backstage. The veteran actor has been getting cast through our audition listings since 1980. Of the number of projects he’s landed, the most recent is “Impromptu.” This one-act play was one of four staged as part of “Just 4 Fun,” a quartet of one-acts presented at the Lincoln Stegman Theatre in Los Angeles. Robinson played Ernest, whom he describes as a “debonair but aging leading man.” In “Impromptu,” four actors are called onstage and told they must improvise a play before a live audience." -- Rachel Weiss, #I Got Cast: Darryl Maximilian Robinson, backstage.com / magazine article. May 3, 2016 8:00 AM.
"Let's give a warm NoHo "Welcome Back" to veteran actor DARRYL MAXIMILIAN ROBINSON. Darryl is a Joseph Jefferson Citation Award-winning actor who was last seen on the boards in the Greater Los Angeles Area as The Narrator and The Mysterious Man in the December 2014 Burbank Community Theatre production of Stephen Sondheim’s and James Lapine’s “INTO THE WOODS” presented at The Hall of Liberty at Forest Lawn in the Hollywood Hills. Darryl returns to the stage this month portraying Ernest, a debonair, but aging leading man in Pulitzer Prize-winning playwright Tad Mosel’s classic comedic-dramatic one-act play about Life in The Theatre, “IMPROMPTU.” It is one of the entertaining and unique one-act plays that make up The Emmanuel Lutheran Actors Theatre Enesemble’s (ELATE) production of "Just 4 Fun." -- Lisa, nohoartsdistrict.com / spotlight item, Wednesday February 24, 2016 01:25.
About Acclaimed American Playwright Tad Mosel's Impromptu
Written during his early days ( actually, his college years as a drama and literature scholar in 1948 ), Pulitzer Prize-winning playwright Tad Mosel ( winner for the powerful family drama All The Way Home and Emmy Award-nominated legend, who penned many strong television scripts of the 1950s,1960s and 1970s ) perhaps had no idea that an allegorical, comic-dramatic one-act called Impromptu would have the story and staying power for decades to become one of the most frequently performed short stage works in The American Theatre. The story of Impromptu is relatively simple and direct: Four actors sit on a darkened stage, awaiting the arrival of the stage manager who has called them together. Lacking his authoritative presence they are merely characters in search of a play to become part of, for their own personalities seemed unformed and shallow next to the full-blooded figures they are used to playing. They are also "types," and each of them has absorbed most of what he is from what he pretends to be on the stage. As they wait, the stage lights come up - but still no one appears to tell them what they are to do. They know only that they are not to leave the stage until they have "acted out the play." Suddenly becoming aware that an audience is present, the actors decide to improvise, an idea that has them slightly flustered. Ernest, the "leading man," excercises the perogative of star billing and assumes control. He plunges ahead, assigning roles to himself and his colleagues - Winnifred, who always play's "the leading lady's best friend;" Lora, the struggling ingenue; and Tony, the juvenile lead. The "drama" which unfolds is a mixture of truth, fantasy and well-rehearsed situations, but out of it, in subtle progression, comes a deepening awareness of the real people behind the theatrical facades. The play, conceived in the "Pirandello mode," brings a fresh approach to a timeless theme - what should be the proper ratio of truth vs. illusion in the balanced life? In the Greater Los Angeles Area, a recent 2016 critically-praised revival of Mosel's work by The Emmanuel Lutheran Actors' Theatre Ensemble - ELATE at The Lincoln Stegman Theatre of North Hollywood, Ca., was presented on a quartet bill of one-acts entitled Just 4 Fun, and that cast of Impromptu featured Darryl Maximilian Robinson as Ernest, Casey Krubiner as Winnifred, Joey Trezise as Tony and Lucy Krubiner as Lora. For their work in the show, each member of the cast earned a 2015 / 2016 Los Angeles Elate Season Ticket Holder Award Nomination including Mr. Robinson as Best Actor, Ms. Casey Krubiner as Best Suppporting Actress, Mr. Trezise as Best Supporting Actor and Ms. Lucy Krubiner as Best Supporting Actress. Of this quartet of Impromptu ( as part of Just 4 Fun ), Ms. Lucy Krubiner would go on to win the prize for Best Supporting Actress. As far as this group of performers are concerned, Tad Mosel is a great American playwright!
http://nohoartsdistrict.com/entertainment-all/album-reviews/item/3343-meet-darryl-robinson-just-for-fun-impromptu
http://www.abouttheartists.com/productions/100366-impromptu-at-the-lincoln-stegman-theatre-2016-1
https://theatre.fandom.com/wiki/Tad_Mosel%27s_Impromptu_(_1948_)
https://www.backstage.com/magazine/article/igotcast-darryl-maximilian-robinson-6756/
https://www.imdb.com/name/nm10967118/otherworks
http://www.thefrontpageonline.com/ae/robinson-opens-in-new-valley-play
https://www.broadwayworld.com/los-angeles/article/Impromptu-Elate-Season-Ticket-Holder-Award-Nominations-20160729
https://www.broadwayworld.com/los-angeles/article/ELATE-Announces-Season-Ticket-Holder-Award-Winners-20160821
https://en.everybodywiki.com/Darryl_Maximilian_Robinson
https://en.everybodywiki.com/Theatre_Photos_of_Darryl_Maximilian_Robinson
A Photo of the acclaimed Pulitzer Prize-winning Playwright and Emmy Award-nominated Television Script Writer TAD MOSEL.
Show Card for Tad Mosel's "Impromptu" and the rest of the one-acts billed as part of "Just 4 Fun" at The Lincoln Stegman Theatre in North Hollywood, CA. |
Darryl Maximilian Robinson has become noted as the very first black actor in American Theatre History to portray on stage a trio of classic dramatic roles including: Sir Thomas More in Robert Bolt's "A Man For All Seasons" ( in a 1984 revival presented by The University Players of The University of Missouri-St. Louis and directed by AEA Member John Grassilli at The Benton Hall Theater ); King Henry II in a 1992 multiracial cast revival of James Goldman's "The Lion In Winter ( directed by Mr. Robinson for his chamber theatre Excaliber Productions, Ltd in St. Louis and staged at The Wabash Triangle Cafe ); and Andrew Wyke ( opposite the talented actor Sean Nix as Milo Tindle ) in a 2000, 30th Anniversary, all-black cast revival of Anthony Shaffer's "Sleuth" presented under Mr. Robinson's direction by his chamber theatre The Excaliber Shakespeare Company of Chicago at The Harrison Street Galleries Studio Theatre of Oak Park, Illinois.
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